![]() However, paradoxically, Kundera dedicates a lot of time to explain to his readers this what he wrote and to his feeling of betrayal and of incomprehension from his critics and translators. ![]() According to him, no one is the owner of novel’s characters, even their author. He says, that they should be demoted to writers. Next Milan Kundera, particularly in his novel L’art du roman criticizes sharply novelist, who, just like Sartre or Mauriac, make use of their characters to hand down their ideas. Mauriac says, that in his novels he combines elements cominf from reality and fruits of his imagination. Mauriac has anticipated this criticism previously in 1933, in his text entitled “Le romancier et ses personnages”, in which he wards off considering himself a God and writes, that novelists are only the Almighty’s monkies. ![]() He accuses him of not allowing any latitude to his characters, of considering himself as their owner, of beeing God who knows everything about his creatures and disposes them his own fussy way. Mauriac about his novel La fin de la nuit. ![]() ![]() François Mauriac et la liberté”, Jean-Paul Sartre argues polemically with F. In his famous paper from 1939, entitled “M. ![]()
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